We’re in the final weekend of About Face Theatre‘s critically-acclaimed and audience-adored production of after all the terrible things I do in Chicago, and we’re just about to start the final week of Ma-Yi Theatre Company‘s critically-acclaimed and conversation starting production of House Rules in New York.
I am incredibly grateful to the directors, casts, and creative teams of both these shows and incredibly proud of the work we’ve done, not just because it’s fun to put on a show. I’m also excited that so many people in the theatre — audiences, artists, and journalists — have responded so positively to stories centered on people who seldom get to be the most important people in their own stories.
In that vein, take a look at this article published on Playbill last week in which Olivia Clement interviewed the cast of House Rules and myself about the play and Asian-American stories.
Why We Need to Start Telling a Different Kind of Asian-American Story (Playbill, April 7, 2016)
And here’s an interview of me from Stage Buddy talking about being a writer of color, developing work, and the Ma-Yi Labbies’ pursuit of world domination.
Interview: 5 Questions with “House Rules” Playwright Rey Pamatmat (Stage Buddy, April 6, 2016)
And if you want to hear me and a bunch of people WAY COOLER THAN ME speak in person about diversity in the theatre, the McCarter Theater and Princeton University’s Lewis Center for the Arts has organized a day long symposium commemorating the 20th anniversary of the delivery of August Wilson’s speech “The Ground from Which I Stand.” The event is called The Ground On Which We Stand: Diversity and Opportunity in the American Theatre, Twenty Years After August Wilson’s Foundational Speech. I’ll be around for the whole symposium and will participate in the second panel that day “The Ground from Which We Step: Wilson’s Legacy and Our Contemporary Conversations” with Vivienne Benesch (who, by the way, taught me acting one summer a million years ago!), Polly Carl, Jade King Carroll, and Branden Jacobs-Jenkins.
I’d love to see you there. More importantly, though, come see the shows to experience the work and ideas in action and to support the “normalization” of the American Theatre (I’ve got some issues with using the word “diversity” — sue me). Those ticket links again are here for terrible things and here for House Rules.